Don't Let Your Babies Grow Up to Be Cowboys Wiki
| Waylon & Willie | ||||
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| Studio anthology past Waylon Jennings and Willie Nelson | ||||
| Released | January 1978 | |||
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| Length | 32:l | |||
| Characterization | RCA Victor | |||
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| Waylon Jennings chronology | ||||
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| Willie Nelson chronology | ||||
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| Singles from Waylon & Willie | ||||
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Waylon & Willie is a duet album past Waylon Jennings and Willie Nelson, released past RCA Records in 1978. In the US, it stayed at #one album on the land anthology charts for ten weeks and would spend a total of 126 weeks on the country charts.
Background [edit]
By 1978, Jennings and Nelson had attained country music superstar condition. Jennings had had three #1 land albums in a row, and his most contempo, Ol' Waylon in 1977, included what turned out to be the biggest striking unmarried of his career, "Luckenbach, Texas (Back to the Basics of Love)". Nelson, who had taken a verse on the Jennings single, had enjoyed blockbuster success of his own with the release of his 1975 West Texas epic Red Headed Stranger and did again with Stardust in 1978. Later on then many one-off collaborations and tours, it was inevitable that they would record an album of duets, although being contracted to different record labels (Waylon with RCA and Willie with Columbia) made matters difficult. According to the RCA executive Jerry Bradley, Jennings initially attempted to overdub his vocals on a few sometime Nelson recordings (Nelson had recorded for RCA Victor from 1965 to 1972) only struggled to do and then. Instead, he approached Columbia Records in Nashville with the idea of recording an album of new duets.[1] In a surprising prove of co-performance, Columbia agreed. Jennings and Nelson had achieved great success previously, winning the Country Music Association Honour for Duo of the Year for their song "Proficient Hearted Woman" in 1976, and were the marquee attractions on the Wanted! The Outlaws compilation, state music's starting time million selling album.
Recording and limerick [edit]
The album contains three songs sung individually by Jennings and Nelson, also as five duets. Although information technology was presented as a new release, several of the tracks had been recorded for some time and had been redone using overdubbing. The Nelson-sung "It's Not Supposed to Be That Mode" and "If You Can Bear upon Her at All" had appeared on Jennings' 1974 album This Time (which Nelson had co-produced), as had the song "Pick Up The Tempo", which is on this LP as a duet. Nelson'due south guitar playing is noticeably absent-minded on the recording.
Jerry Bradley later recalled, "Waylon come to play those for me. He looked at me and said, 'You don't actually like them?' I said 'Well, we'll do well with them, but I don't recollect there'due south 1 as good as what we had with the Outlaws.' He said, 'What near this one?' And that'southward when he played 'Mammas.'"[1]
"Mammas Don't Let Your Babies Grow Up to Be Cowboys", written by Ed and Patsy Bruce, peaked at number 1 in March 1978, spending four weeks on summit of the country music charts. It besides reached 42 on the Billboard Hot 100, and won the 1979 Grammy Laurels for All-time Land Performance by a Duo or Group with Vocal. It propelled the anthology to the top of the Billboard state albums nautical chart. The Waylon-sung "The Wurlitzer Prize (I Don't Want to Become Over You lot)" likewise reached number 1, while Nelson's reading of Lee Clayton'southward "If You Can Touch Her at All" reached #v. The music announcer Stephen Thomas Erlewine of AllMusic observed, "...in retrospect, it looks like where the motility was beginning to slide into predictability, fifty-fifty if both singers are more or less in control of their talents here. Though notwithstanding at the superlative of his popularity, Waylon had begun to slip slightly creatively starting with the very good, but not great, Are You Set up for the Country, which suggested that he was having a little harder time getting a total anthology of consistently corking cloth together. The patchwork nature of this album suggests that he still had the problem, but since it was divided into iii solo songs apiece and 5 duets, this plays to his strengths, because the express number of new songs doesn't give him room to stumble."
Jennings' legal problems, including a much publicized cocaine arrest in 1977, were no doubt a distraction and perhaps the inspiration[ citation needed ] for "I Can Get Off On You", a songwriting collaboration with Nelson (a notorious pothead) that celebrates the triumph of new love over by vices ("Have back the weed, take back the cocaine babe, take dorsum the pills, take back the whiskey too..."). Jennings' embrace version of Fleetwood Mac's "Golden Dust Woman" also addresses drugs, and was another example of Jennings' penchant for appropriating FM stone staples; he had previously covered Neil Immature's "Are You Set up for the Country" and the Marshall Tucker Ring's "Tin can't You See". Well-nigh the conclusion of Kris Kristofferson'due south "Don't Cuss the Fiddle", Jennings and Nelson began singing "Skillful Hearted Adult female", which has an identical musical organisation.
The original liner notes, complimenting Jennings and Nelson on their ability to surprise and deliver solid material, were written past Chet Flippo of Rolling Rock. Waylon & Willie was reissued by RCA Records in 2001. This was the first time that the full album was issued on CD in the Us; previous Us CD bug contained but 8 of the album's xi songs.
Reception [edit]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   link |
| Christgau's Tape Guide | B+[2] |
Rolling Stone ranked Waylon and Willie #30 on its "fifty Country Albums Every Stone Fan Should Own", proverb, "These sometime stoner compadres teamed up with startling purpose for this consistently poignant, pleasingly loopy Number One country blast. A last call of round barroom logic, it evenly splits primo world-weary Willie (the quivering flit 'If You Can Touch Her at All' and bewildered terminate-of-the-line lament 'It's Not Supposed to Be That Fashion') with top-tier wobbly Waylon (his chilling cinéma vérité version of Fleetwood Mac's 'Aureate Grit Woman' and the lite-touch pathos of 'The Wurlitzer Prize')."[ citation needed ] While conceding that the album "remains one of their biggest-selling albums," AllMusic thought, "its perennial popularity has more than to do with their iconic status - something this album deliberately played upward - than the quality of the music, which is, overall, only good...Since information technology was cutting at a time they were making consistently enjoyable music, information technology's fun, but it could have been much, much more than information technology is."
Runway listing [edit]
Side one [edit]
- "Mammas Don't Let Your Babies Grow Upward to Be Cowboys" (Ed Bruce, Patsy Bruce) – 2:34
- "The Year 2003 Minus 25" (Kris Kristofferson) – 3:04
- "Choice Upward the Tempo" (Willie Nelson) – two:32
- "If You Tin can Touch Her at All" (Lee Clayton) – iii:04
- "Lookin' for a Feeling" (Waylon Jennings) – 2:38
- "It's Not Supposed to Exist That Mode" (Nelson) – 3:xx
Side two [edit]
- "I Tin can Get Off on You lot" (Jennings, Nelson) – 2:24
- "Don't Cuss the Fiddle" (Kristofferson) – 3:04
- "Gold Dust Woman" (Stevie Nicks) – four:00
- "A Couple More Years" (Dennis Locorriere, Shel Silverstein) – four:02
- "The Wurlitzer Prize (I Don't Want to Get Over You)" (Bobby Emmons, Fries Moman) – 2:08
Chart performance [edit]
| Chart (1978) | Peak position |
|---|---|
| U.S. Billboard Acme State Albums | 1 |
| U.S. Billboard 200 | 12 |
| Canadian RPM Country Albums | 7 |
| Canadian RPM Top Albums | xi |
References [edit]
- ^ a b Streissguth, Michael (2013). Outlaw: Waylon, Willie, Kris, and the Renegades of Nashville. HarperCollins. p. 223. ISBN978-0062038180.
- ^ Christgau, Robert (1981). "Consumer Guide '70s: J". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN089919026X . Retrieved February 27, 2019 – via robertchristgau.com.
Source: https://en.wikipedia.org/wiki/Waylon_&_Willie
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